Staublogs 2010
Staublogs 2009
Staublogs 2008
Staublogs 2007
Staublogs Winter: December 2006 to March 2007
Official Home of Dick Staub's The Culturally Savvy Christian: A Manifesto for Deepening Faith and Enriching Popular Culture in an Age of Christianity-Lite
WMBI: Culturally Savvy Christian Editorials
2007 Summer Lewis Trip
Fall 2006 Staublogs (September to November)
To order Dick Staub’s Book, Too Christian, Too Pagan, for only $10 (Retail $16.95)
SUMMER 2006 Staublogs
May 2006 Staublog
April 2006 Staublog
March 2006 Staublogs
February 2006 Staublogs
January 2006 Staublogs
December 2005 Staublogs
November 2005 Staublogs
October 2005 Staublogs
September 2005 Staublogs
August 2005 Staublogs
July 2005 Staublogs
June 2005 Staublogs
May 2005 Staublogs
Star Wars Stuff!
April 2005 Staublogs
February 2005 Staublogs
March 2005 Staublogs
Rousing the Desire for Creative Work
January 2005 Staublogs
Admiring Susan Sontag
Zeitgeist meets Kairos
Superficiality & Christian Formation
Faith, Words, Complexity & Filmic Reductionism
Artistic Bankruptcy of Next Generation Christians.
Theologians Don’t Know Nothing.
Speech Fully Flowered as a Nut or Apple
Lewis, Bono & Generation Next
Evangelical Metaphor-phobia.
Darth Vader, Wilco & You
Longing.
Nigelisms
Lewis, Tolkien, Monty Python & Nigel.
Third Way; Deeper in Faith, Deeper in Culture.
Life: The Movie. Unhappy Endings?
The “authentic” C.S. Lewis
Outsiders. Jesus. Modigliani. Potok.
Make Disciples Who Make Good Art.
This Artist Plays Real Good For Free.
The Seduction of Celebrity
American Christianity: Incredible Lightness of Being.
Some Disassembly Required
We Don’t Make Records Anymore
The Path You Take?
Christocentric
Craftmanship as Counter-Cultural
Ecclesiological Crisis
Mailbag: Is making Art really evangelism?
Middlebrow.
Theology of Academy Award Best Picture Nominees: (The Curious Case of Benjamin STAUBLOG: Theology of Academy Award Best Picture Nominees: (The Curious Case of Benjamin Button. Frost/Nixon. Milk. The Reader. Slumdog Millionaire)

 

MOVIES: 25th Hour
     
  •  E-mail this story to a friend

January 10th, 2003
 
Cast
Monty Brogan: Edward Norton
Jacob Elinsky: Philip Seymour Hoffman
Frank Slaughtery: Barry Pepper
Naturelle: Rosario Dawson
Mary D'Annunzio: Anna Paquin
James Brogan: Brian Cox
Touchstone Pictures presents a film directed by Spike Lee. Written by David Benioff, based on his novel. Running time: 132 minutes. Rated R (for strong language and some violence).

Central Theme
Life is tough… full of choices, which once made, will yield consequences which may or may not allow a second chance. It goes better with friends, but who are your friends and what do they want?

Story
We are going to spend one day with Monty Brogan and his friends. This is not just any day—he’s about to enter prison for seven years having been caught red-handed in a drug bust. In addition to good-byes to his father, two best friends, girlfriend and drug boss, Monty wants the answer to some essential questions: who snitched? Who are his real friends? Can a guy who looks like him (white, pretty face) really survive prison? His friend Frank wants to know which of his only three options will his best friend take: Will he run? Kill himself? Or serve the time? Everybody has questions and as the day progresses we start getting answers through a series of farewell conversations and good-bye parties.

Throughout the day we learn that Monty, with his high-risk life as a drug dealer, is not the only one living life on an edge. His friends are running their own risks--Frank as a high-stakes investor, Jacob as a high-school teacher infatuated with an underage student and Naturelle who has allowed herself to fall in love with a man about to go to jail. (Or is hers the risk taken by a betrayer?)

As we try to assign blame for Monty’s fate, we find our task complicated by the fact that his drug money bailed his dad out of a financial crisis, provided a nice life for Naturelle, and was observed but not blocked by his best friends. Everybody around Monty feels guilty for not stopping him, but he only regrets getting caught, especially since he had always planned to convert his cash to investments and live the honest life. The one moment we sense Monty’s sense of personal responsibility is in a sequence where he looks in a mirror and tells every slice of New York life to “f—k” themselves (gays, blacks, Indians, Italians, 5th avenue matrons, the church, priests, Jesus Christ himself), but then looks at himself and says “f—k” you Monty. Later he confesses to Naturelle that he blew it, but again, it seems more about getting caught, not wasting people’s lives as a drug dealer.

As his final day nears its end, Monty does discover who betrayed him, Frank is asked for one last , unimaginable favor, Jacob yields to temptation and his father offers an escape to the west. Spike Lee unfolds this possibility in a visualized dream of new start, family and late life confession to a loving family.

This is a plot-less story with a rich payoff through the provocation of “what if” questions and clearly drawn complex characters. On the ‘runaway sequence’ Monty sees two signs, The Baptist Church sign that says “Christ is The Answer” and another that says “Jesus Saves.” The runaway sequence also shows the American flag waving on dad’s Jeep, but this follows opening scenes with the spotlights commemorating 911, the fireman memorial in dad’s bar, the Frank and Jacob discussion in a condo looking down on the empty space at 911. Lee reminds us that the American dream…is really just a dream. 911 is more real than the idea of a fresh start and hopeful outcome for someone whose circumstances have driven them to bad living.

Like Doyle his dog, who he rescued from near death in the film’s opening scene because “he still has some life in him,” we sense that Monty, a young man once full of promise and now on life’s trash heap, will live to see another day, but will it be a departure from his past or a compounding of the past’s sorrows?

Beliefs

  1. Life consists of a series of choices which once made will yield inevitable consequences.
  2. Some people who do bad things aren’t really bad people, but rather are good people in bad situations.
  3. The real problem with doing the wrong thing is getting caught.
  4. Given the corrupt nature of the criminal justice system—are there really any good guys?
  5. Wealth is entrapping. Even if you want to leave it- you feel you can’t.

Questions Worth Discussing

  1. Why do you want to live? Why does a near dead-dog want to live? Why would a human in similar circumstances want to live?
  2. Are there consequences for the choices we make?
  3. What guides you in those choices?
  4. Once entrapped in wealth acquired illegally, what does it take to leave that life?
  5. If faced with seven years in prison would you run? Kill Yourself? Go to Prison?

Provocative Quotes

  • He’s till got some life left in him.

    Monty saves Doyle the dog.

  • I got touched. I’m over.

    Monty to former drug customer.

  • We were undefeated that year. Then I got kicked out for fighting and everything fell apart.

    Monty visits the private school where it all started going downhill.

  • I want to be that girl in X-man. The one who can walk through the walls. If I can’t do that—one shot to the head-problem solved.

    Monty.

  • The only people I trust are you, Jacob and Frank-the guys I grew up with.

    Monty,

  • I’m not going to say anything. He’s going to hell for seven years. What am I going to say? Good Luck? I’m going to get him drunk and make sure he has one last good night.

    Frank

  • Boys that look like Monty don't do well in prison. He’s got three choices. One he can run. Two he can catch the bullet train. Three, he can go to prison, Tonight say good-bye to Monty; You’ll never see him again.

    Frank to Jacob.

  • You know what a man should never say in a Victoria’s secret? Does that come in children’s sizes?

    Frank advising Jacob about his infatuation.

  • You’re a fan of DUSK? He’s the truth, the absolute truth.

    Mary to Jacob.

  • She’s the only girl I fantasized over after I slept with her. Is that normal?

    Monty to Frank about Naturelle.

  • How could I do this to him? Look the other way? For the last ten years I’ve seen him go deeper and deeper. I didn't say s—t. I sat there and watched him ruin his life. You didn’t do s—t either…You told him to stop? The hell you did… You never had a real job in your life. You’ve been living off the fat of the land.

    Frank to Naturelle.

  • ’m Irish. I can’t get drunk.

    Frank.

  • Remember what I said. A man with no friends.

    Advice on who to attack in prison.

  • I’ve got one last thing I need you to do. I need you to make me look ugly.

    Monty to Frank.

  • You know when they catch people? When they come home. You never come home… In the desert you find the silence, you find peace, you can find God…Find a nice little town…you know why there are towns in the desert? People wanted to start over…I believe in God’s kingdom. I’ll be with you and your mother, but not in this life…then one day you sit your family down and you tell them the truth. Who you are and where you came from and then how it came so close to never happening.

    Dad, offering Monty a way out.







© 2001 - 2010 Dick Staub, CRS Communications.












Philip Seymour Hoffman: A Higher Calling
Tuned-in kids get turned on earlier
Kids Lose Touch With Natural World
Man Sues Bible ~ Mental Anguish
Staub on PBS God & Hollywood
Staub: CSC Kirkus Review Top 25
PBS Extended Interview with Dick Staub
Dick @ You Tube: The Culturally Savvy Christian
Staub @ CT: Top 5 Faith & Culture Books
Email Overload?
Who Am I? Dietrich Bonhoeffer